“ A Closer Look” invites you to step beyond the first impression and discover the subtle details that make an artwork truly special. From the texture of the brushstrokes to the nuances of colour and composition, these close-up views reveal the artist’s hand, process, and vision in a way that can only be appreciated up close.

Kris Nahrgang (1955-2025)

Kris Nahrgang’s art is a continuation of the spirit and tradition of rock and story pole carving. His style has a balance of innovative, modern and traditional elements which have led to a growing recognition of his work across Canada and the world. His work has been noted in art periodicals including Insight, Art Impression and Collectibles, as well as MacLeans Magazine.

Kris Nahrgang (1955–2025)

Ojibway Artist | Cultural Consultant | Advocate | Storyteller

Biography
Kris Nahrgang was a respected multi-disciplinary artist and cultural advocate whose practice combined traditional Indigenous forms with contemporary expression. A Status Mississauga Ojibway from Curve Lake First Nation, Kris worked in wood, stone, bone, antler and traditional acrylic mediums. His body of work—spanning over four decades—embraced the spirit and legacy of ancestral storytelling, rock carving, and totemic symbolism.

Nahrgang’s style harmonized traditional motifs with modern elements, creating bold, meditative works that honored both Indigenous history and present-day reclamation. His art has been featured in Canadian and international exhibitions and highlighted in publications such as Maclean’s Magazine, Insight, Art Impression, and Collectibles.

Beyond his creative output, Kris was a fierce advocate for the rights of First Nations communities in Ontario. Since 2000, he served as a liaison between Native and non-Native groups, playing an instrumental role in archaeological and cultural heritage policy reform. He consulted with Parks Canada and was appointed to advisory committees for the Ontario Ministry of Culture, contributing to the development of archaeological assessment guidelines.

Kris’s landmark commission—the monumental 36-foot Unity Pole unveiled at the Canadian National Exhibition in 2017—became the first Indigenous artwork permanently acquired by the CNE. He was also the co-creator, executive producer, and host of the acclaimed documentary series Future History, which challenged colonial narratives and celebrated the resurgence of Indigenous identity. Kris co-hosted the series with dancer, choreographer, actor and activist Sarain Fox.

Kris Nahrgang passed away in 2025, leaving behind a profound cultural and artistic legacy grounded in truth, strength, and ancestral memory.

Selected Exhibitions

Solo Exhibitions

  • Artworld Fine Art Gallery, Toronto, ON – Solo Exhibition, October 2017
  • Northumberland Art Gallery, ON – A Retrospective, 2001
  • Gallery on the Lake, Buckhorn, ON – August 2008

Group Exhibitions & Juried Shows

  • The Artists’ Commons – Withrow Commons Gallery, Toronto, ON, February 2019
  • Art & The Indigenous People – Artworld Fine Art, Toronto, ON, June 2018
  • Art & HeritageCanada 150 Exhibition – Chinese Cultural Centre of Greater Toronto, Toronto, ON, November 2017
  • Scugog Council for the ArtsFocus on First Nations, October 2014
  • Festival De Reviers, Normandy, France – 50th Anniversary of the Landings of Allies, June 1994
  • Kawartha Arts Festival, Fenelon Falls, ON
  • Buckhorn Wildlife & Fine Art Festival, Buckhorn, ON
  • Collingwood Art & Music Festival, Collingwood, ON
  • Ottawa Art Expo, Ottawa, ON
  • Purple Turtle Art Festival, Georgina, ON
  • Art Walk, Polo for Heart, Vaughan, ON

Major Art Commissions

  • Unity Pole – Canadian National Exhibition, Toronto, ON (2017)
    36-foot totem pole symbolizing reconciliation and cultural unity; CNE’s first Indigenous art acquisition
  • Connected Future – Story Poles Commission, Daniels Corporation, Mississauga, ON (2019)
  • Pending Project – Public Art Installation, Humber Bay Trails Park Project, Toronto, ON
  • Spirit of the Earth – Stone sculpture presented to former U.S. President George Bush
  • Reunion – Stone sculpture presented to the Duke of York, Prince Andrew
  • Trails of Nobility – Stone sculpture presented to His Royal Highness, Prince Charles
  • International Vision Calls – Stone sculpture presented to Nelson Mandela
  • Numerous Private and Corporate Commissions – across Canada and internationally

Film & Television

  • Executive Co-Producer & HostFuture History (CBC Gem, 2017–2019)
    Critically acclaimed docuseries celebrating the reclamation of Indigenous knowledge and identity.

Selected Publications & Media

  • Maclean’s Magazine – Artist profile and coverage
  • Insight, Art Impression, Collectibles – Featured artist
  • Book Contributions:
    • “The State of Archaeology and First Nations” – Ontario Archaeology, No. 73:1–9, 2004
    • “An Aboriginal Perspective” – in Before Ontario: The Archaeology of a Province, McGill-Queen’s University Press, 2013

Cultural & Archaeological Consultation

  • Liaised with Parks Canada on underwater archaeological assessments
  • Served as Native Liaison Officer at Trent University (2000–2005)
  • Contributed to Ontario’s archaeological guidelines as a member of the Ministry of Culture’s advisory committee
  • Held archaeological liaison positions with:
    • Curve Lake First Nation (2001–2002)
    • Alderville First Nation (2002–2004)
    • Scugog Island First Nation (2003–2007)
  • Consulting Associate – Archaeological Services Inc., Toronto

Education

  • 1981 – Native Law Program, University of Saskatchewan – B.A. Equivalency for Law School
  • 1982 – Osgoode Hall Law School, York University – One year completed
  • 1991–1992 – Social Service Diploma, Sir Sanford Fleming College, Peterborough, ON
  • 2001–2004 – Honours B.A. (Anthropology, partial), Trent University – Nine credits completed

Certifications & Licences

  • ACUC® Certified Diver – Since 1998
  • Research Licence – Ministry of Culture, July 2006
  • Authorized Archaeological Consultant – Parks Canada/Trent-Severn Waterway, 2001–2025

“Story poles are not entirely traditional to Anishnaabe people.  “We did however, erect clan poles to honour our lineage.  My poles reflect that tradition incorporating traditional clan symbols and contemporary images.”  If the poles are finished with paint, the designs are ‘Woodland’ in style, with vibrant colours, and distinct lines.  Story poles tell a story.  Each symbol or totem on a pole represents a feeling, a person, an animal, a place, or a concept.”

Kris Nahrgang

Kris Nahrgang - Artist Photo

Available Sculptures from the Estate of Kris Nahrgang

KNE0004 - Kris Nahrgang - Inner Turmoil, 2011 - 9"x7"x16.5" - brazilian soapstone - $6,000

Inner Turmoil, 2011

Size: 9″x7″x16.5″
Medium: brazilian soapstone
Inventory # KNE0004
Price: $6,000

The warrior competes with himself. It is his uncertainty and self-doubt. The demons inside hold him back, creating fear, taunting his ability. He is anxious he will not be successful. It takes everything in his being to be strong and hold them back, to be confident and not let his fears take over. I see these inner struggles manifesting as fighting a serpent, a creature I have great distaste for. We all have our demons, doubts, fears, some we let take hold of our psyche and can be emotionally and physically crippling. It can be a constant struggle to find balance and peace.

KNE0005 - Kris Nahrgang - In Honour of Our Mothers, 2013 - 9"x7"x16.5" - brazilian soapstone - $12,000

In Honour of Our Mother, 2013

Size: 9″x7″x16.5″
Medium: brazilian soapstone
Inventory # KNE0005
Price: $12,000

This sculpture was inspired by my daughter Jenna and the birth of my grandson this past year. As I began working on the stone, it occurred to me that a miracle, such as the birth of the next generation, could just transpire before my eyes. Even more incredible is how it happens for people all around the world thousands of times daily. Titling this piece was a challenge as it speaks to so many things. How is life truly created, other than the act itself? It leaves me with the belief that women ARE the “Creators”. Their powers to do so are not celebrated enough. I watch my grandson and see traits of all of the family members from both sides. It makes me believe that the ability of the women to blend this world, into this child, is truly taken for granted in our busy jaded world. So in tribute to all women, I offer this work as a celebration of the creation of mankind, by these amazing women.

KNE0022 - Kris Nahrgang - Humility, 2014 - 7"x4"x10.5" - brazilian soapstone - $2,000

Humility, 2014

Size: 7″x4″x10.5″
Medium: brazilian soapstone
Inventory # KNE0022
Price: $2,000

KNE0035 - Kris Nahrgang - Autumn Winds - brazilian soapstone - $25,000

Autumn Winds

Size: “x”
Medium: brazilian soapstone
Inventory # KNE0035
Price: $25,000

This sculpture presents a complex interplay of figures and symbols. The human figures, seemingly intertwined or emerging from one another, represent interconnectedness, transformation, or different aspects of the self or community. The feather pointing upwards might symbolize prayers, ascension, or a direct link to the Creator. The overall composition hints at a narrative rich in cultural and spiritual significance, inviting contemplation on the relationships between humanity, nature, and the universe.

KNE0040 - Kris Nahrgang - We Never Walk Alone, 2018 - 13"x9"x19" - brazilian soapstone - $7,500

We Never Walk Alone, 2018

Size: 13″x9″x19″
Medium: brazilian soapstone
Inventory # KNE0040
Price: $7,500

Although life is a solitary event, with many that join us along the way. At times, we walk these paths on our own, even when surrounded by others. It seems to me that we are never alone, as the energy, spirit, and memories of loved ones, past, present, and future, are always somewhere around us. The remembering of a missed ones touch as a child, or the last time you had time with a special person carries with us forever, and we in turn pass it on to others as we walk this road called life. We will at many times in our lives be lonely, but if we can recall these special moments in time, we will never be alone….

KNE0012 - R. Kris Nahrgang (1955-2025) - Twilight Dancer, 2016 - 5.5"x4.3"x12.5" - Brazilian Soapstone

Twilight Dancer, 2016

Size: 5.5″x4.3″x12.5″
Medium: brazilian soapstone
Inventory # KNE0012
Price: $1,500

KNE0008 - Kris Nahrgang - Spirit of the Family, 2015 - 17"x10"x9" - brazilian soapstone - $5,000

Spirit of the Family, 2015

Size: 17″x10″x9″
Medium: brazilian soapstone
Inventory # KNE0008
Price: $5,000

When I began this piece, I did as always, and let what affects me move through me, and into the piece. This piece was inspired by a story of a family that I know, and consider friends. It is a story of personal sacrifice, as a family to help another family member who was ill. What it was, and who they are, is not the story. The story is one of a concerted effort of family to help one

of their own.  This piece is represented by the faces of a family, of different ages, and the blending of their determination to change a situation. The Eagle is their Guardian Spirit, that watches over their situation, and sends strength to them during this time. The

Wampum beads hold their story, past, present, and future for all of them to see. The fist represents the inner strength of their commitment to their loved ones. The inspiration comes from this story, but it also comes from my life, and I am sure many of us have pulled together to accomplish a task of our own.This is the “Spirit of the Family”, and an inspiration to us all.

KNE0038 - Kris Nahrgang - Renewal, 2018 - 9"x6"x16.5" - brazilian soapstone & alabaster - $5,500

Renewal, 2018

Size: 9″x6″x16.5″
Medium: brazilian soapstone & alabaster
Inventory # KNE0038
Price: $5,500

As one walks upon our life journey, we find ourselves in situations that require reflection to get through periods of our travels. Transformation occurs as we realize with age that it brings pain, which brings reflection, which brings healing, and in the end we have transformation….

As the past leaves the spirit, it goes with a calming influence, and the years of wisdom offer clarity and excitement as we transition into the next stage of life.

As a butterfly transitions to beauty, from the existence of a caterpillar, so do we in spirit as a new untouched beginning comes forth.

Eagle Warrior, 1998

Size: 17″x29″x9″
Medium: brazilian soapstone
Inventory # KNE0105
Price: $40,000

This sculpture is characterized by its intricate and multi-layered composition. The carving reveals several distinct figures emerging from and interacting with one another. Noticeable elements include human faces with detailed expressions, often framed by flowing carved stone that suggests hair or drapery. An eagle is present, depicted with sharply defined feathers and a powerful beak, its form integrated dynamically with the human figures. The artist skillfully utilizes the natural variations in the stone’s color, ranging from light grey to earthier tones, and its texture to add depth and visual interest to the smooth and rough surfaces. The overall aesthetic emphasizes a spiritual or mythological narrative, with a palpable sense of interconnectedness between human and animal forms. The sculpture’s form is dynamic, inviting the viewer to explore the relationships between the carved elements from multiple perspectives.

KNE0051 - Kris Nahrgang - Connected, 2021 - 10.5"x8"x6.5" - brazilian soapstone - $1,500

Connected, 2021

Size: 10.5″x8″x6.5″
Medium: brazilian soapstone
Inventory # KNE0051
Price: $1,500

The intertwining forms likely represent the harmonious balance between individuals, emphasizing that love and partnership are foundational to community and identity. The sculpture serves as a visual narrative of how interconnectedness fosters strength, resilience, and a sense of belonging.

KNE0101 - Kris Nahrgang - Abstract, 2023 - 7"x3".5x2" - brazilian soapstone - $300

Abstract, 2023

Size: 7″x3″x5.2″
Medium: brazilian soapstone
Inventory # KNE0101
Price: $300

The piece is unadorned, the gentle folds emphasize the inherent beauty of the stone itself.

KNE0102 - Kris Nahrgang - Abstract, 2023 - 6"x1.5"x4" - brazilian soapstone - $300

Abstract, 2023

Size: 6″x1.2″x4″
Medium: brazilian soapstone
Inventory # KNE0102
Price: $300

The piece is unadorned, the gentle folds emphasize the inherent beauty of the stone itself.

KNE0067 - Kris Nahrgang - The Way Through, 2022 - 11"x9"x3" - brazilian soapstone - $1,000

The Way Through, 2022

Size: 11″x9″x3″
Medium: brazilian soapstone
Inventory # KNE0067
Price: $1,000

Sculpture symbolizes overcoming obstacles, finding solutions, transition, progress, or hope. It suggests the possibility of moving from one state or situation to another.

KNE0100 - Kris Nahrgang - Bear & Shaman, 2023 - 7"x4"x3" - brazilian soapstone - $800

Bear & Shaman

Size: 7″x4″3″
Medium: brazilian soapstone
Inventory # KNE0100
Price: $800

This piece touches on themes common in indigenous cultures, interconnectedness of humans and animals, spiritual transformation, or the presence of animal spirit guides. The merging of human and animal forms suggests a close relationship and potential for shared identity or power.

KNE0112 - Kris Nahrgang - Cross, 1997 - 4.5"x4.5"x7" - brazilian soapstone - $800

Cross, 1997

Size: 4.5″x4.5″x7″
Medium: brazilian soapstone
Inventory # KNE0112
Price: $800

This sculpture was the model for lost wax casting for a series of bronze urns.

KNE0113 - Kris Nahrgang - Cross Urn, 1997 - 4.5"x4.5"x7" - bronze - $500

Cross Urn, 1997

Size: 4.5″x4.5″x7″
Medium: bronze
Inventory # KNE0113
Price: $500

This piece is one of multiple castings from an original stone sculpture the lost wax casting method was used.

KNE0115 - Kris Nahrgang - Praying Hands Urn, 1997 - 4"x6"x9" - bronze - $500

Praying Hands Urn, 1997

Size: 4″x6″x9″
Medium: bronze
Inventory # KNE0115
Price: $500

This piece is one of multiple castings from an original stone sculpture the lost wax casting method was used.

KNE0116 - Kris Nahrgang - Cross on Rock Urn, 1996 - 4"x8.5"x11" - bronze - $600

Cross on Rock Urn, 1996

Size: 4″x8.5″x11″
Medium: bronze
Inventory # KNE0116
Price: $600

This piece is one of multiple castings from an original stone sculpture the lost wax casting method was used.

Recently Sold

Arrowhead Knives & Paddle

 In Ojibwe culture, arrowhead knives were practical tools for tasks like hide scraping and cutting, crafted from stone and bone or antler. Over time, some evolved into ceremonial or decorative items, sometimes adorned with feathers and beads, reflecting the resourcefulness and artistry of the Ojibwe people.

Arrowhead Knife

Size: 3.75″x1″x.5″
Medium: bone, stone, beads & horsehair
Inventory # KNE0124
Price: $200

Arrowhead Knife

Size: 4.25″x1″x.625″
Medium: bone, stone, beads & horsehair
Inventory # KNE0122
Price: $200

Arrowhead Knife

Size: 8″x2″x1.5″
Medium: antler, stone, feather, beads, horsehair
Inventory # KNE0121
Price: $500

Arrowhead Knife

Size: 9.5″x2.25″x1.5″
Medium: antler, stone, feather, beads, horsehair
Inventory # KNE0120
Price: $500

Arrowhead Knife

Size: 10.75″x1.75″x1″
Medium: antler, stone, feather, beads, horsehair
Inventory # KNE0119
Price: $500

Arrowhead Knife

Size: 12.25″x2.25″x1.75″
Medium: antler & stone
Inventory # KNE0118
Price: $500

Arrowhead Knife

Size: 13″x5.5″x1.75″
Medium: antler & stone
Inventory # KNE0117
Price: $500

The 2017 CNE Unity Pole

The Unity Pole “Process”

To celebrate the enormous contribution that Canada’s indigenous peoples have made to this great land, the Canadian National Exhibition has commissioned Ojibway artist Kris Nahrgang to create a Unity Pole.

Video with Kris Nahrgang

Unity Pole Video Thumbnail

The Unity Pole Story

Ojibway artist Kris Nahrgang guides us through a rich story of symbols, which begins with the turtle at the bottom and culminates with the eagle at the top of the pole.

Unity Pole Meaning

1. TURTLE

At the base, the turtle – representing Mother Earth, is a direct reference to indigenous creation stories. The turtle is rooted at the bottom of the pole and is the foundation of the pole’s story. Holding the weight of the other images and allowing the story to build.

2. BEAR

The Canadian black bear – representing “family” and on a larger scale our country’s culture, is depicted beating a drum with feathers attached to it. Like the sound of a drumming heartbeat that a child first hears in his mother’s womb, the drum celebrates the heartbeat of our community and our connection to family and Mother Earth. The feathers – a symbol of healing, are painted to represent the various cultures in our community and the need for healing in our beating hearts.

3. OTTER, LOON & FISH

Depicted above the bear with a beating drum is a swimming otter and a diving loon scattering fish – their source of nourishment. Fish are not only a staple in many indigenous cultures’ diets but in many other cultures too. They are important because they feed us, nourish us, and by sustaining our lives they look after us. This is meant to show the importance of harmony and working together as a group and also illustrates the beautiful resources we have in Canada. The movements of these creatures emphasize the need for groups to work together to survive in today’s trying times.

4. WOLF

The mystical, magical and elusive howling wold, sits atop the conflict of the story illustrated below and is depicted howling his prayer of hope.

Unity Pole Graphic
 5. MAPLE LEAFS & BEAVER

The wolf’s prayer rises upwards through two Canadian symbols: the maple leaf and the beaver. The beaver is Canada’s national animal representing everything the fur trade brought to the country including the first beginnings of “good and bad” for the indigenous people. The maple leaf is the national leaf of Canada. The combination of these two images in the pole’s story also pays tribute to the Canadian National Exhibition’s vintage emblem, which originated in the 1920’s and underscores the fair’s relationship with Canada and its community.

6. EAGLE FEATHER

In indigenous culture, to receive an eagle feather is the highest honour you can obtain as a person – it’s given only when you do great things, or when you’ve done something for your people. The feather is painted white to represent healing. In effect, the eagle feather depicted symbolizes healing trickling down the pole bringing with it reflection and balance.

7. SPIRAL

The spiral is painted the four colours of the community – red, white, black and yellow – reinforcing the story-line of the pole, calling to action a need to come together.

8. EAGLE

The eagle symbolizes a messenger that can fly between the spiritual and mutable worlds. The eagle here is shown passing along messages to the Creator by absorbing the red power-lines through the spiral. The eagle is also shown sending blue power-lines back through the side of the pole.

9. RED & BLUE PAINTED POWER LINES

Power lines run along the side of the pole. The red painted power line, symbolizing hostile energy, flows through the story of the pole before travelling up through the eagle. While the blue painted power line, representing balance and calm, flows down from the eagle in the hope that cooler heads will prevail in times of conflict to help usher in an era of harmony throughout Canada and its peoples.

Remembering Kris Nahrgang