“ A Closer Look” invites you to step beyond the first impression and discover the subtle details that make an artwork truly special. From the texture of the brushstrokes to the nuances of colour and composition, these close-up views reveal the artist’s hand, process, and vision in a way that can only be appreciated up close.

Jerre Davidson

Jerre Davidson: Jerre Davidson’s glass sculpture explores the shifting rhythms of a particular space and she uses gestural shapes, light, shadow and reflection to capture these spatial rhythms. Recognized for her exceptional talent and innovative approach to glass art, Jerre Davidson has received numerous awards. Notably, she was honored with a first-place award of excellence in sculpture at the Canadian Society of Artists Exhibition. Her work transcends borders, and been included in some of the most esteemed exhibitions and galleries around the world.

BIOGRAPHY

Jerre Davidson’s glass sculpture explores the shifting rhythms of a particular space and she uses gestural shapes, light, shadow and reflection to capture these spatial rhythms. Recognized for her exceptional talent and innovative approach to glass art, Jerre Davidson has received numerous awards. Notably, she was honored with a first-place award of excellence in sculpture at the Canadian Society of Artists Exhibition. Her work transcends borders and been included in some of the most esteemed exhibitions and galleries around the world.

Jerre Davidson is a contemporary sculptor with a unique and captivating approach to working with glass. Her artistry revolves around the exploration of shifting rhythms within specific spaces. Through her sculptures, Jerre uses gestural shapes, the interplay of light and shadow, and the reflective qualities of glass to capture and convey these intricate spatial rhythms. Jerre’s journey as a glass artist has been enriched by her education and training at prestigious glass centers around the world. Some of the notable institutions where she honed her craft include Pilchuck in Washington, the Studio of the Corning Museum of Glass in New York, and North Lands Creative Glass in Caithness, Scotland. These experiences have undoubtedly influenced and shaped her distinctive artistic style.

Recognized for her exceptional talent and innovative approach to glass art, Jerre Davidson has received numerous awards. Notably, she was honored with a first-place award of excellence in sculpture at the Canadian Society of Artists Exhibition. Her commitment to her craft and creative endeavors is further supported by an Ontario Arts Council Project Grant. Jerre’s work transcends borders, and her glass sculptures have been exhibited in diverse international locations, including Korea, Scotland, the United States, and her home country of Canada. Her art has the ability to resonate with audiences worldwide, transcending cultural boundaries through its universal appeal. Jerre Davidson’s contributions to the world of contemporary glass sculpture are a testament to her dedication, innovation, and ability to transform a seemingly rigid medium into an instrument for expressing the fluidity and   dynamism of space. Her work invites viewers to explore the interplay of form and light, fostering a deeper appreciation for the beauty and complexity of the spaces that surround us.

Jerre Davidson operated for many years from her studio located in Southern Ontario, Canada where she continued to push the boundaries of what is possible with glass, capturing the ever-changing rhythms of space and translating them into mesmerizing sculptural forms. She has recently relocated back to her native Scotland.

CV

SELECTED SOLO EXHIBITIONS

2020 – January/March – Solo exhibition – “Shape of Dance” – Elora Centre for the Arts, Elora, ON, Canada.

2017 – March – “Fuse” solo exhibition “Erosion” – Canadian Clay & Glass Gallery, Waterloo, ON, Canada

2012 – July – Solo Exhibition “The Abstracted Landscape” – Strata Gallery, Elora.

2011 – October – Solo Exhibition “Above and Below” – Whitestone Gallery, Guelph, ON

SELECTED JURIED EXHIBITIONS – GROUP

2019 – August – British Glass Biennale, The Glass House, Stourbridge, England.

2019 – February – “Shared Consciousness” – Three artist show – Jerre Davidson, Cheryl Wilson Smith and George Whitney – Carnegie Gallery, Dundas, ON

2018 – November-January “Contrasts and Contradictions” – GAAC Member Show at Living Arts Centre, Mississauga, ON.

2017 – Oct to Dec –  “Convergence” Exhibition – SCA Gallery Sebastopol, CA, USA

2018, 2017, 2016 and 2015 – SOFA – Chicago – represented by The Maria Elena Kravetz Gallery, Cordoba, Argentina

2017 – June – Glass Art Society, Member Juried Exhibition, The Glass Wheel Gallery, Norfolk, VA, USA

2016 – Craft Ontario Awards exhibition – John B Aird Gallery, Toronto, Ontario.

2016 – Society of Canadian Artists 48th National Open Juried Exhibition, Etobicoke City Hall Gallery

2015 – Fireworks Juried Exhibition  – Fusion-Ontario Clay and Glass Association, Toronto.

2015, 2014, 2013, 2012, and 2011 – The Artist Project – Toronto

2014 – PUSH – Contemporary Works  by Glass Artists – group show at Thunder Bay Art Gallery – June – September

2013/2014 – PUSH – group show at the Living Arts Centre, Mississauga

2011/2009  – Creative Crafts Council Biennial Exhibition, Bethesda Maryland, USA

2010 –  Generations in Glass  – Glenview Mansion Art Gallery, Rockville, Maryland, US

2010 – Canadian Landscape Exhibition – Agnes Jamieson Gallery – Minden, Ontario

2009 – The Mansion at Strathmore, Bethesda Maryland, USA

2009 – Fires Around the Lakes: Ten Years After – William Bonifas Fine Arts Centre, Escabana, Michigan, USA

2009 – Unity and Diversity National Exhibit – Canadian Pavilion,  Cheongjju International Craft Biennale   Cheongju, Korea

2008 – Toronto Outdoor Art Exhibition, Ontario, Canada – 200

GRANTS/AWARDS

2018 – Ontario Arts Council Exhibition Assistance Grant.

2018 – Ontario Arts Council Craft Project Grant Award

2016 –  Craft Ontario Volunteer Committee Award

2016 – 1st Award of Excellence at the Society of Canadian Artists 48th National Open Juried Exhibition.

2016 – Scholarship award from FUSION: Ontario Clay and Glass Society.

2009 – Awarded 1st place and 3rd place, kiln-forming section at Fires Around the Lakes: Ten Years After exhibition, Michigan, USA

2009 – Awarded 2nd place in the glass section at Creative Crafts Council Biennial Exhibition, The Mansion at Strathmore, Bethesda, Maryland, USA

RESIDENCIES

2018 – Fusion Mentorship Program with Susan Low-Beer.

2016 – A Particular Place – Invitational Residency at North Lands creative Glass Centre, Caithness, Scotland – facilitated by Richard Parrish and Steve Klein.

2012 – Fusion Glass Mentorship Program with Koen Vanderstukken

2013 – First annual Residency at OATKA school of glass – with Catharine Newell

TEACHING/SYMPOSIA AND JURY

2018 – Presentation to collectors through Glass Art Alliance in both Santa Fe, NM and Scottsdale, AZ.

2017 – Glass Art Association of Canada Conference – Presentation – Toronto, Ontario, Canada

2016 – Ontario Arts Council: Juror for Craft Creation and Development Grant Awards.

2012 – Taught The Ultimate Pattern Bar and Strip Construction Workshop – Fusion Annual Conference, London, Ontario, Canada.

CATALOGUE AND PUBLICATIONS

2020 – New Glass Review 41 – Corning Museum of Glass Annual Juried publication.

2020 – Shape of Dance – Solo exhibition catalogue – Elora Centre for the Arts.

2019 – Waypoints – Fusion Mentorship exhibition Catalogue

2016 – Death Perceptions Show Catalogue, Elora, ON

2015 – Fusion Fireworks Catalogue

2012 – Talent Next Door publication – Editor Craig Musselman

2010 – National Liberty Museum – Glass Now Auction Catalogue.

2009 – Unity and Diversity National Exhibit Catalogue –  Cheongju, Korea.

FORMAL EDUCATION

1994 to 1996 – University of Western Ontario, London, Ontario, Canada – M.Sc PT

1983 to 1985 – Queen’s College Glasgow – B.Sc Physiotherapy

1968 – Scottish Ballet School, Edinburgh, Scotland.

EDUCATION – SELECTED MASTERCLASSES

2019 – The Studio Corning – Masterclass – Richard Whiteley

2019 – The Studio  Corning – Masterclass – Sibille Peretti.

2017 – The Studio, Corning, NY – Masterclass – Heike Brachlow.

2016 – North Lands Creative Glass Centre, Caithness, Scotland – Colin Reid.

2015 – Haystack Mountain School of Crafts, Maine studied with Dan Clayman

2014 – The Studio, Corning, NY – Kirstie Rea

2014 – The Studio, Corning, NY – Dan Clayman

2012 – Pilchuck Glass School Studied with Narcissus Quagliata.

2012 – The Perfect Vessel –  Northern Ireland with Karl Harron

2010 – Sheridan College summer school with Irene Frolic

2009 – North Lands Creative Glass Centre, Scotland with Steve Klein and Kaffe Fassett.

2009 – Studied at Vitrum, Maryland with Richard Parrish.

2008 – Studied at the Studio, Corning with Miriam Di Fiori.

2007 – Studied at The Studio, Corning with Catherine Newell.

2007 – Studied with Steve Klein and Jane Bruce at Vitrum Studios in Maryland

2006 to 2007 – Glass blowing workshops totaling 36 weeks in Ontario, Canada

2006  – Studied with Shin ichi and Kimiake Higuchi during a two week masterclass on pâte de verre at The Studio in Corning, NY.

2005 – Vitrum Studios Maryland – Roger Thomas.

2003  Vitrum Studios, Maryland, USA with Linda Ethier

PROFESSIONAL AFFILIATIONS

Board Member – The Canadian Clay and Glass Gallery Waterloo, ON, Canada

Member of the National Capital Art Glass Guild. Washington DC, USA

Member of Glass Art Association of Canada

Member Glass Art Society – USA

Member of Contemporary Glass Society, UK

Member of Fusion, the Ontario Clay and Glass Association

“Born in Edinburgh, Scotland, I studied at the Scottish Ballet School and later danced professionally. These early experiences are fundamental to my identity, and my love of dance and music is integral to my work. By recording dance movement in a motion capture studio and translating it into a 3-dimensional form using a rapid prototype machine, the dancer becomes part of the sculptural concept and the sculpture dances. These sculptural pieces strive to capture the sense of exhilaration, freedom and movement that I feel when dancing.”

“ A Closer Look” invites you to step beyond the first impression and discover the subtle details that make an artwork truly special. From the texture of the brushstrokes to the nuances of colour and composition, these close-up views reveal the artist’s hand, process, and vision in a way that can only be appreciated up close.

Shape of Dance

In this series of work Jerre translates dance movements into 3D sculpture to explore human emotion. Instead of capturing the figurative shapes of the dancer at a specific moment in time, it is the movement pathways of the dancer’s limbs and body that are captured and translated into sculptural shapes.

Jerre Davidson - Adagio

Adagio

Jerre Davidson - Fouette

Fouette

Jerre Davidson - Allegro

Allegro

Jerre Davidson - Arabesque

Arabesque

Jerre Davidson - Helios

Helios

Jerre Davidson - Nocturne

Nocturne

Jerre Davidson - En lair

En lair

Jerre Davidson - Lyrical

Lyrical

Jerre Davidson - Sinuous Synchronicity, light amber

Sinuous Synchronicity, light amber

Jerre Davidson - Flamenco 3 (wall mount)

Flamenco 3 (wall mount)

Jerre Davidson - Sinuous Synchronicity, dark amber

Sinuous Synchronicity, dark amber

Jerre Davidson - Pas de Trois

Pas de Trois

Jerre Davidson - Flamenco

Flamenco

Jerre Davidson - Spiral Waltz

Spiral Waltz

Jerre Davidson - Rose Adage & Twist

two-piece combination – Rose Adage & Twist

Jerre Davidson - Awakening
Jerre Davidson - Awakening

Awakening

Jerre Davidson - Twist

Twist

Jerre Davidson - Pirouette
Jerre Davidson - Pirouette

Pirouette

Creating the Shape of Dance

Jerre partnered with Meredith Blackmore – Performance Artist and Fast Motion Studios to realise this ambitious project. Meredith wore special clothing with multiple sensors and her dance sequences were recorded using an OptiTrack system. In post production, bespoke computer code was developed to convert these movement pathway recordings into 3-D printable format.

A 3D printer is used to create the scaled movement pathway model and a silicone mold of the model is created. Wax is then poured into the silicone mold to create a wax positive that is then edited.

Using the lost wax casting technique, Jerre invested the wax positive in a plaster silica mixture that can withstand the high temperatures of the kiln. She then steamed the wax out of the plaster mold leaving a  cavity and then transferred the mold to the kiln and loaded it with glass. At high temperatures, the glass was melted into the cavity, creating the cast glass sculpture.

Finally, after a week in the kiln, the pieces have cooled enough that they can the glass casting can be excavated from the plaster mold and then “cold-worked”; the final grinding and polishing before they are ready for presentation.

Shape of Dance Project Videos

Northlands and other Series

Jerre Davidson - The Kelpies

The Kelpies

Jerre Davidson - Ghost Cavern

Ghost Cavern

Jerre Davidson - Obelisk

Obelisk

Jerre Davidson - Arette 2

Arette 2

Jerre Davidson - Connections 2

Connections 2

Jerre Davidson - Connections 3

Connections 3

Jerre Davidson - Arette

Arette

Jerre Davidson - Tidal Wave - 9.5"x15"x3" - JD0034 - kiln-cast glass - SOLD

Tidal Wave

Jerre Davidson - Copper Cavern
Jerre Davidson - Copper Cavern

Copper Cavern

Jerre Davidson - Ice Cavern
Jerre Davidson - Ice Cavern

Ice Cavern

Jerre Davidson - Heat Lightening - 23"x31"4" - JD0028 - kiln-cast and cold-worked glass - SOLD

Heat Lightening

Jerre Davidson - Shared Origin
Jerre Davidson - Shared Origin

Shared Origin

Jerre Davidson - Breaking Wave
Jerre Davidson - Breaking Wave

Breaking Wave

Installations

Spiral Waltz Series

Sinuous Synchronicity Series

Recently Sold